She has published widely across international publications and exhibition catalogues. As of December 2025, she is the founder and editor of Art & Order Journal and Relative Press—two projects that correlate to time, as dual concurrent and long-term publication practices. She can be contacted here.
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Selected Writings, PROJECTS, AND PROGRAMMING
2026
Essay, Review, Editing, and Publication: Art and Order Journal, a bimonthly online publication focusing on cultural criticism through analytic and discursive text practices.
- Issue Seven, forthcoming: Infrastructure/Infrastruktur, Co-edited with Jennifer Teets
Issue Six, forthcoming: On Masks, Co-edited with Max Guy
Issue Five: Death and Taxes
Issue Four: Swiss Risk
Issue Three: Spring Awakening: A Tourist's Tragedy
- Issue Two: Double Take and Deja Vu
Essay: “The Choreography of the Encounter: On Lauryn Youden” with the Berlin Program for Artists at KW Institute for Contemporary Art, Berlin, Germany. forthcoming
Essay: “Pigeon Theory” for Le Fond de l’Air at Kunsthaus Biel/Centre d’art Bienne, online
Feature: "On the Goth and the Pop: Best of Zurich" Spike, online
Review: "The Performance of Resistance: On Mimosa Echard" Mousse, online
Essay: "Slow down, Speed up, Don't stop" in Yearbook Temporars Susch/The Exemplary Syllabus Collection, Pt. 1, Edited by Mareike Dittmer and designed by mono.studio, online
Lecture: The Case of Trisha Donnelly, at University of Basel with Aïcha Revellat, Basel, Switzerland
Guest reading: "Lurker Moxie Heart: Fan Fiction Readings" with Slow Reading Club and Texte zum Nachdenken at the Cabaret Voltaire, Zurich, Switzerland; online
2025
Review: “So to Speak: On Niloufar Emamifar at Progetto” Art and Order Journal, online
Review: “On Lauryn Youden at Circuit Lausanne” Frieze, online
Reading: “The Sitting Ovation Sessions: Something On Silence” with Max Guy, Good Weather, Chicago, transcript/audio forthcoming; review by Annette LePique for Portable Gray Magazine
Reading: “The Sitting Ovation Sessions: Something On Certainty” with Jennifer Teets, Agence de Voyage, Paris
Essay: “My Roman Empire: Jan Vorisek at Kunstmuseum Winterthur” in Jan Vorisek: Private Fictions, edited by Alison Coplan. Published by the Swiss Institute and Lenz Press*
Review: “On Henrik Olesen and Isidore Isou” Frieze, no. 254 (August 2025), online
Reading: “The Sitting Ovation Sessions: Artists and Writers/Writers and Artists” with: Angharad Williams, Genevieve Lipinsky de Orlov, Katharina Hausladen, Mira Mann, Dorota Gawęda and Eglė Kulbokaitė. Event series presented at the Swiss Art Awards, Basel. June 17-19, 2025
Publication: “Sitting Ovation: A Study in Slow Criticism” with: Angharad Williams, Genevieve Lipinsky de Orlov, Katharina Hausladen, Mira Mann, Dorota Gawęda and Eglė Kulbokaitė, edited by Brit Barton, edition of 300. Not for sale, online or public distribution
Profile: “The Risk Analyst: On Virginia Ariu” Mousse Magazine, no. 92 (June 2025), online
Essay: “Quick to Feel, Slow to Say: Five Texts on Unstructured Feeling”, Untitled ETH publication
Lecture: “The Hidden Texts of Lauren Berlant” with Waves at Kunsthalle Zürich, Zürich
2024
Review: “On Ian Penman’s Fassbinder: Thousands of Mirrors” The Public Review, online
Essay: “City Slicker” in Max Guy: But tell me, is it a civilized country? at the Renaissance Society, published by the Renaissance Society and University of Chicago Press*
Lecture: “Power, Corruption, Lies: On Andrea Fraser at LUMA Westbau” at the University of Zürich
Review: “Horror Patriae: Steirischer Herbst ’24, Graz” Mousse Magazine, online
Essay: “Pope.L 1955-2023” Texte zur Kunst, no. 134 (June 2024)
Essay: “Sleights of Hand and Circumstance” Karen Moser at Stadtgalerie Bern, edited by Katharina Hausladen. Published by Stadtgalerie Bern*
Letter: “An Encapsulated Audience: On Jan Vorisek” PW Magazine, online
2023
Review: “Interdependencies at Migros Museum” Mousse Magazine, online
Essay: “Push Comes to Shove: Fugacity at Linnahall” PROVENCE*
Essay: “A Review of a Review Makes it a Feature: with Iris Touliatou” PROVENCE*
Review: “False Friends: On Iris Touliatou’s Gift at the Kunsthalle Basel” The Public Review, online
Discussion: “On Video Art Today” with Ian Wooldridge at Blue Velvet Projects
Reading: “Pippa Garner: Selected Readings” with Hard to Read at the Kunsthalle Zürich
2022
Profile: “Don’t Flinch: On B. Ingrid Olsen” Mousse, no. 82 (December 2022), online
Review: “Autoerotics: Pippa Garner at Kunstverein München” Texte zur Kunst, online
Essay: “The Anxiety of Autobiography: Trajal Harrell” PAJ: MIT Press, vol. 44, no. 3 (Sept. 2022)*
Review: “Monotonous Methods: Dora Budor” Texte zur Kunst, no. 126 (June 2022)*
Review: “Sisyphus in Vortex: Laura Grisi” Texte zur Kunst, no. 126 (March 2022)*
*PDF available upon request
Education, Awards, and Fellowships
2025
Guest resident at Muzeum Susch, Susch, Switzerland
2024
Swiss Art Awards: Critique, Publishing, Exhibition (Laureate)
2018
Chicago Manual of Style Certificate, Graham School at the University of Chicago
2016 - 2018
Inaugural Artist Award and Fellowship, the Arts Club of Chicago
2017 - 2018
Teaching Fellowship, the University of Chicago, Department of Visual Art
2016
Master of Fine Art, the University of Chicago, Department of Visual Art
Thesis advisors: Pope.L and Matthew Jesse Jackson, Ph.D.
Sundial, Cavaglia, CH